Listen to 2 of the tracks and let us know what you think.
Red House
Note: There is a file embedded within this post, please visit this post to download the file.Nine Below Zero
You can check out more of Trashe Blues info on their Myspace site
Trashe’ Blues serves up a mix of Rock and Roll, Chicago Blues, and the driving spontaneous garage band sound of the sixties in keeping with their motto, “Never play it the same way twice.” An extensive song list includes originals and trashe’d standards from ballads to boogies, some up to twenty minutes long in true garage band form. The next time you have an opportunity to see them in action remember: “Life is short so get out and boogie.” Danny Murphy, guitar player/vocalist also wrote the band’s theme song, “Trashe’ Blues.” Originally from California, Danny is the offspring of professional musicians. His professional acting experience gives Danny an edge for stage presence and improvisation. Known for his ability at improvisation in the creation of new tunes and “Trashe’ing” traditional tunes on the spot, Danny is quick at remembering lyrics and is constantly adding new songs to the list. His accomplished guitar work uniquely blends his own style with that of his major influences, Muddy Waters, Buddy Guy, Peter Green and John Denver. Andy Johnson and Danny have clicked musically since the first time they met at a jam session, they later teamed up to form Trashe’ Blues in 1998. Andy plays blues harp, pulling his own style from the masters. The major influences on his playing include Sonny Boy Williamson II, Little Walter, James Cotton, Snooky Prior, Paul Butterfield and Alfred E. Neuman. Whether playing rhythm under the vocals or wailing a solo over the rest of the band, Andy’s harp provides a dominant voice in the group. Mark Jackson (bass/vocals), originally from Alabama, made his musical journey through Chicago, New Jersey, and now Virginia, making his home in the Shenandoah Valley today. He comes to Trashe Blues Band after stints with other bands, including Blue Flamingos and Heeby-Jeebies.
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A killer set of funky raw soul from the early 70s Norfolk, VA scene – literally Raw Soul – as the excellent group is at the heart and soul of all the material in the set! It features tracks credited to Raw Soul plus singers & groups Lanis Guess, Shirley Johnson, Sir Guy, Josephine Jones, Lee Fields, Page One and others – all heavy burners from the Virginia scene. The tunes are raw, soulful and tightly funky – with the guitar, bass and drums of Barry Saunders, Maurice Glass and Grover Elliot nicely gritty throughout and the excellent sax work of Dorsey Brockington all over the set. It ranges from hard and heavy funk to less frenetic southern soul. Totally excellent – here's hoping more compilations are coming down the road! Titles include "How You Gonna Do It", "Leave My Beat Alone" and "The Gig" by Raw Soul, "That Beat's Got The Devil In It" by Lenis Guess, "Feels So Good" by Shirley Johnson, "Candy Man" by Josephine Jones, "Wrong Crowd" by Prince George", "Thank Goodness Gotta Good Woman" by Page One and more.
This LP was mastered here at Monkeyclaus studio, and is an amazing project to be a part of. Brent Hosier of Arcania Records is a magical music finder and always puts together a full package with lots of information and the best most rare songs from Virginia. This is a testament to his craftsmanship, quality and respect the music deserves.
Available at these online retailers :
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Talibam! Live at Echo Curio Jan. 24 2010
Talibam! is nearly impossible to pin down. Both men, drummer Kevin Shea and
Mottel, spend the majority of any given year on the road in the US and Europe,
whether it be with Talibam! or their various other projects. It is a metaphor
for their sound: it will never stay in one place, but will remain completely
recognizable and true to its spirit. It seems the duo has embraced flux as their
modus operandi.
Talibam! presents a collage of sounds, rapidly and fiercely, often not allowing
time for the listener's mind to adjust before moving on. Their show at the Echo
Curio consisted of 35 songs in 40 minutes.
The drumming is always "out", jazzy, freaky, and swinging, even when it settles
into a heavy, doom-laden groove for a minute. Shea is a skilled and formally
trained drummer who seems completely bored by conventionality and uses his
gift to forge a wild new style. His set up includes a Roland SPS drum trigger pad,
which he uses to introduce anomalistic sounds to his pallet. Shea is able to play
completely around the beat while keeping within it, creating very abstract beats,
which push the music forward always. Mottel is surely his equal in skill, fearlessly
shredding throughout gigs and recordings both. The curious thing about Talibam!
is that they have fantastic chops and pro skills yet they have decided largely to
deconstruct music to find a home for their talents.
Live, Talibam! comes across as an untamed beast of sorts. Mottel and Shea
fancy themselves a party band, which I can definitely see, but it seems that many
audiences don't know how to digest the music. Folks look dumbfounded. There is
definitely a good amount of smiling and head bobbing but also plenty of puzzled
looks. Talibam! is a band that I describe foremost as a free-jazz-punk-comedy
duo. Their set also encompasses elements of electronic and dance music,
trance, heavy sludge, pop, chants and cheers, and sing-a-longs. No matter
what, it always swings and is always high energy and kinetic. It is marked with
confidence, attitude, and elan, and often feels as if it is on the cusp of derailment.
I loved all of the 40-minute set, although there was about a 3-minute period of
ecstasy where I was overcome by the muse of dance and thrashed as if Talibam!
were my puppet master. It was serious.
Talibam's last proper studio release "Boogie in the Breeze Blocks" is a testament
to all the thoughts voiced above. It is mercurial and fanciful yet completely well
crafted and vastly enjoyable; its police scanner comedy sketches are hilarious
highlights; it has a heavy crew of collaborators; and it was released by the
legendary jazz label ESP. Their upcoming release is to be a hip hop foray
called "Puff Up the Volume". The direction of the album was forged by an odd
event, whereas a gong fell on and broke Shea's foot during a dance performance
in Europe, just prior to their entry into the studio to record. I can't wait to wrap my
ears around this one.
Enjoy the live recording presented here. Drink some Kombucha because
Talibam! would. Thanks to Grant from the Echo Curio for the recording
hook up!
First I would like to Thank the Creator for lending me the creativity to make this happen. Also to my spirit who guides me through the trials and tribulations. This album is dedicated to all the fellow musicians, mc’s, singers, videographer's, and business people who help me through this journey of mine without you there is no Okai. Special thanks to Negus Maximilian from the RegimeChange set who has worked on putting the Okai’s Odyssey together. He Produced, mixed, Rhymed, and Engineered on this one. Thanks to my Diamond Shari for helping me with everything I do.
This album will be a free download for the summer for my avid devoted listeners, then for the fall it will go on for your purchase on RegimeChangeMusic website. If you liked the “Odyssey” so much that you thought I was crazy for making it free please support me and go check out “Dekonstruktion of the Mind” or “RegimeChange” project on RegimeChangeMusic.com and download some indigenous HipHop music. That is the category of music i put Okai, RegimeChange, NegusWorld, Bataka Squad in. We call it Indigenous HipHop.
In the future I am currently working on the BrownRiceFamily album that should drop this summer. BrownRiceFamily album will be a mixture of different Caribbean music and I am very excited about being in a band where i can express all my talents to the fullest. Also UnderGroundHorns are in the process of mixing all the songs we’ve recorded so look out for that instrumental album this summer as well. So as you can see its going to be a busy summer and I am looking forward to it. Once again i thank the Creator and my Spirit for providing me with the opportunity to stay busy doing what i love to do.
Peace and Give Thanks.
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Monkeyclaus opens our doors to the public in honor of the newly launched Nelson Scenic Loop.
Friday through Sunday are the Grand Discovery Days commemorating the launch of the Loop. Monkeyclaus will host a tour of our studio and live recording demo from 11 -1 pm Saturday, June 12. Local Guitar Aficionado Miles Pearce will raise the level of quality sound with classical guitar most likely influenced by he recent incarnation as the lead in the local Flamenco Fusion Group Bosque.
There are a bunch of other exciting open houses and tours on the Bluewall Media Developed Interactive Website and Don't Miss the Square Dance happening tonight at the Rockfish Valley Community Center.
For any additional information please refer to the Nelson Scenic Loop Website.
We hope to see you there!
10 Facts About the LOOP
* 50 Miles Long
* Consists of 4 Scenic By-Ways
* Traverses Three Ridge Mountain Watershed
* Rises from Elevation 850 - 4050
* Bisected by Rockfish and Tye Rivers
* Blue Ridge Parkway is 75 Years Old
* Monticello Fish Hatchery is 80 years Old
* Nelson County founded in 1807
* Wintergreen Resort Contains 10,000 Acres
* Appalachian Trail Runs the West Border
This will Be Fun !
]]>Recorded at Monkeyclaus and produced by Abel Okugawa, City Saints tells the tale of crazy wisdom, Buddhist mischief and revelry. All proceeds go towards the release of We Are Star Children's new and upcoming album.
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Long live tiny music venues.
The Garage is an art space/concert venue/amateur film theater/
impromptu studio/potluck dining hall/etc located on 1st Street across from Lee Park in Charlottesville, Virginia.On most Friday nights, you can find the Garage’s door wide open as we enjoy art openings/viewings of monthly exhibitions or concerts by local and regional bands that bring together large crowds in the stadium seating (aka: on the hill of the park) across the street. We’re also known to host an occasional film screening, dance party, art performance, potluck, or other creative gathering as requested (or hosted) by a community member.
Here at the Garage we value community, creativity, collaboration, and accessibility. We love the paradox of the Garage’s intimacy and yet strange publicness.
We are interested in what it means to be creating and facilitating art in a “public yet private” context. We are not exactly sure where the Garage is located within those realms, but we are inquisitively exploring the topic through various art projects and collaborative conversations.
You can get in touch with the Garage by contacting:
Kate Daughdrill: kate.daughdrill@gmail.com
Sam Bush: spb2n@virginia.edu
More Info at The Garage Website